My son is alive again and wants me to ride with him to pick up our dog but our dog died nine years ago and my son does not have his driver’s license because he cannot pay all the fines and does not have a car. When he was using drugs the devil with big teeth and red hair kept telling him to do things and he had to hit the walls hard enough with his tight fist to find the cameras spying on him. Like a super hero, he wants to beat up the bad guys but he gets confused and thinks my nice neighbor who is going out for a run is a spy while his wife is pregnant and weeping because she already has a son who is twenty years old but not speaking to her. My son thinks the person throwing a truck at him is trying to kill him so he had to throw it back, a red truck, red like the wagon he had as a child. We ride in my car but it only runs in reverse and the brakes are frozen. We leave his tattoos, the meth, needles and the warrants in our tracks, roll past our old house, the front porch, lilacs, roses, a maple, past his old school where he leapt like a dancer on the basketball court, until he was kicked off the team for drinking, and he wept, where he went to the prom with Jackie, past the big-breasted woman who slurred around him spilling her drink on his shirt and gave birth to a son fathered by him, past the rehab centers, their deceptive trees, past his father with guns and cases of beer, past the stone church and keep looking for a boy and his dog.
Victoria Wyttenberg grew up in Southern Oregon, then moved to Portland, where she lives now. She taught English at the high school level for over thirty years. After retirement from the Beaverton School District, she began taking classes in drawing and painting while continuing to write. She won the Richard Hugo Prize from Poetry Northwest and the Academy of American Poets’ Harold Taylor Prize at University of Washington. Her poem “Blue Heron” was nominated for a Pushcart Prize. Her poems have been published in various journals, including Clackamas Literary Review, Cloudbank, Hubbub, The Malahat Review, Poetry Northwest, Portland Review, Seattle Review, Willow Springs, and others.
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With a pile of rolled-up sock ammo behind bed bunkers, my brother and I would shut off the lights. It was a war, not of harm, but blind accuracy. Most were close misses, but a sock hitting a shoulder was a touch across the dark, like a finger in the chest that said you’re mine. This was our way of sizing up an unknown that was often against us. We learned to duck at the smallest sounds— the swing of the lampshade’s string, a bedsheet sliding across a bedsheet, a slipper nudged along linoleum. That decoys might work once. We threw when a shadow we were used to changed its shape. What we took, we tried to give back. It was good training—to feel small changes in the dark, cast soft stones, laugh the face-hit away. And to feel someone that close breathing and battling there, beside you.
Joseph Powell was born and raised in Ellensburg, WA. He taught composition, literature, and creative writing at Central Washington University for thirty years. He was Central Washington University’s Phi Beta Kappa Scholar of the Year (2004) and was awarded Distinguished University Professor in Artistic Accomplishment (2009). He has published seven previous collections of poetry and four chapbooks. Powell won a National Endowment for the Arts Award (2009), an Artist Trust GAP Award (2005), the Tom Pier Award (2006); and twelve poems have been nominated for Pushcart Prizes from a variety of literary magazines. He lives with artist Lori Chandler on a small farm outside Ellensburg.
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